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An Elizabethan oil portrait of William Shakespeare at a writing desk with a quill, his eyes faintly glowing blue; behind him loom the shadowy figures of his characters, and the handwriting on his manuscript dissolves into glowing blue computer code.
10 Sep
Design & Systems
Posted by author-avatar metadiagram
September 10, 2026

What Shakespeare got right about AI

From ink and quill to glowing code: Shakespeare’s exploration of prophecy and equivocation, the art of speaking truths that mislead, an...
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A real photograph of a Bossa Nova inventory robot in a grocery aisle overlaid with hand-drawn line art sketches. In the foreground, a sketched woman with a frustrated expression holds a container of blueberries up to the robot’s light panel, illustrating a breakdown in human-robot interaction.
09 Sep
Design & Systems
Posted by author-avatar metadiagram
September 9, 2026

Persistent lessons in human-centered automation

What a 1980s photocopier study reveals about the Agentic UX eraA mixed-media recreation of a field observation at Bossa Nova Robotics, ...
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Most AI problems are really human problems
08 Sep
Design & Systems
Posted by author-avatar metadiagram
September 8, 2026

Most AI problems are really human problems

The machine room is full; the chair that owns the decision is empty. AI assisted.The cause sits upstream: unread intent, missing oversi...
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Black and white photograph of seven men playing chess
07 Sep
Design & Systems
Posted by author-avatar metadiagram
September 7, 2026

AI in Product teams: In 2026, the growing impact on collaboration

Is the time of blind AI-tool-pushing over? There seems to be a shift in how companies approach AI. Less piecemeal initiatives, more str...
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AI canvas, Synthetic self, The prompt is the product
07 Sep
Design & Systems
Posted by author-avatar metadiagram
September 7, 2026

AI canvas, Synthetic self, The prompt is the product

Weekly curated resources for designers — thinkers and makers.“AI coding agents are bringing some of that interaction model back. You ca...
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An open book illuminated by a red light, highlighting the text and pages for reading.
05 Sep
Design & Systems
Posted by author-avatar metadiagram
September 5, 2026

Reading and writing are interfaces. And AI can reduce their friction.

The question is not whether AI reduces work, but where the intellectual work moves.Photo by
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What Minority Report got wrong about AI (so far)
03 Sep
Design & Systems
Posted by author-avatar metadiagram
September 3, 2026

What Minority Report got wrong about AI (so far)

The film gave us two futures. We rebuilt the one that was easy to demo.The film cautioned against predictive systems and pre-crime, and...
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A cinematic, moody, high-end editorial shot with a 2:1 aspect ratio. The background is a vast, dark, out-of-focus wall of monospaced code that reads as abstract, cool blue-grey texture. In the center distance, a small, unreachable, door-shaped rectangle of warm amber light stands out against the darkness.
03 Sep
Design & Systems
Posted by author-avatar metadiagram
September 3, 2026

AI took away engineering’s right to say no

The closed system of software engineering, where the complexity of the code acted as both a wall and a gatekeeper.AI didn’t touch what ...
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A designer observing an agentic canvas connects context across tools, giving agents the ability to interpret what they see and act without predefined instructions.
03 Sep
Design & Systems
Posted by author-avatar metadiagram
September 3, 2026

When the canvas starts acting, who’s really in control?

How agentic interfaces are changing what designers control, from interactions to agency, orchestration and attention.Agentic canvas can...
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What Minority Report got right about AI
02 Sep
Design & Systems
Posted by author-avatar metadiagram
September 2, 2026

What Minority Report got right about AI

The operator dwarfed by the machine that generates his future for him. The film’s real subject was never the screen.Steven Spielberg’s ...
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